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Tag Archives: Brandon Sanderson

You know that:

Sequels are never as good as the first installment.

Second acts are just place holders.

You can’t recreate the magic of a first impression.

All of these things are true, most of the time.

But not always….

This is the exception that proves the rule.

The first book of the series (Mistborn) felt like a rehash of Sanderson’s debut novel, with only enough twists to keep it interesting but not enough to make it stand out.

This book is nothing like that. The characters are far more interesting, the twists are more interesting, the stakes are even higher.

For the first time in a long time I stayed all night to finish the book, devouring page after page just to see what happened next.

I found the relationship between the principal characters, Vin and Elend is well done, believable and, dare I say it, endearing. Above all else you want these two to succeed, not simply at their individual goals but as a couple. And their character growth is well done, eschewing the typical power curve found in most fantasy stories and instead focusing on personal growth.

I was disappointed somewhat about something that happened with Elend, but I won’t spoil it for you and it is not enough to derail my enjoyment of the story.

Suffice it to say that I have the third installment in hand and will read it as soon as I can and this time I will do it on a Friday night so as to be able to read until Saturday morning! 😀

——-

And now some music by Armin van Buuren which fits Vin and Elend perfectly- Going Wrong:

Mistborn, by Brandon Sanderson, whose writing credits include Elantris, is the first book in the eponymous  epic fantasy/dark fantasy trilogy.

After reading it a single term comes to mind: Mirror Image. Specifically a mirror image to his first novel, Elantris. Both are set in cities full of despair ruled by barbarous leaders who care little or nothing for those who they lord over, the streets are covered in grime (whether liken or ash) and all around you the broken remnants of once proud humanity huddle in the corners waiting to die. But while Elantris focuses on the people on top (noblemen and  priests) Mistborn is told from the point of view of slaves, thieves and street urchins.

Both feature a well thought out magical system which is woven into the the plot line, so much so that Sanderson has become the master at turning his extensive world building into an key elements in his plots. Figuring how Allomancy (the use of certain allows and metals which are consumed in order to deploy certain magical powers) works is as crucial to Mistborn as figuring out how the Elantrians lost their power in Elantris. Just like his first book, Mistborn is choke full of interesting characters, especially strong female leads (in an interesting reversal, the main female character in Elantris doesn’t have any powers while her male counterpart does, in Mistborn it is the female lead, by the name of Vin who has powers that surpass all others). It also starts a bit slow only to pick up speed half way through the storyline and rush to the end (with a bit of deux machina thrown in at the last second) and the villain(s) doesn’t get as much development as they do in Elantris. Religion is also a noticeable element in the story, but not as crucial as it is in the first book.

Following the mirror image metaphor, Mistborn feels like a stand alone book (even though it is the first of a trilogy) while the ending of Elantris (which according to Word of God is a stand alone tome) feels like the precursor to a much larger story. That doesn’t make Mistborn a bad book, on the contrary, the twists are interesting, the characters are compelling and if you liked Elantris, then Mistborn is a must.

Well of Ascension and Hero of Ages are on my to buy/read list.

I just finished Elantris by Brandon Sanderson, one of the contributors to Writing Excuses podcast (an excellent resources for writers).  The story centers around the actions of three characters: Raoden, Crown Prince of Arelon, Sarene, Princess of Teod and future wife to Raoden and Hrathen, gyorn (high priest) of the Empire of Fjordell in the city of Kae, the capital of Arelon. The city in turn exists in the shadow of the ruins of Elantris, an ancient city of the godlike Elantrians who fell from grace a decade before. What happened to Elantris then and how that affects the future of Arelon are at the key to the stopping a religious empire bent on word domination.

By faith or by fire.

I won’t do a formal review as I don’t know what that is exactly. I’ll simply lists relevant points about the story and how they apply to writing (specially speculative fiction).

Strong Points:

  • Excellent characterizations: Strong characters you care about. No one is completely good or completely evil, but credible in their actions, word view and emotional states. You care what happens to the characters and the outcome of the actions.
  • Character Driven Story: Although it seems at first to be plot driven due to situations out of the characters control (mainly the Reod and the Dateline), what really propels the characters is their actions and interactions.  Each one of the three principal characters works with what they have at hand, many times at cross purposes. It is the mingling and colliding of these purposes that drives the story forward.
  • World building crafted into the plot: Instead of large blocks of obfuscating text the world bulding is subtly worked into the plot, in fact figuring out how the magic of the world works is key to the plot. You catch on quickly to the political, social and magical aspects of the Elantris universe and yearn to learn more about them. For someone who is known for his extensive magic rules and world building, Sanderson managed to write it in with a deft and light touch.
  • Not your standard fantasy setting: Yet it feels both real and fantastic at the same time. Flawless internal consistency and logic through out. The world feels unique in its modernity yet still has enough of the fantasy/medieval tropes to keep it within the genre it explores.
  • Great use of the Multiple 3rd Person Close POV:  Creates a nice back and forth between the view, expectations and actions of each faction from their perspective character. Enough is revealed to maintain logical consistency without ruining the future twists and turns in the story, even if some of them are predictable.

Weak Points:

  • Hook but no Line: The story starts with an intriguing hook, but the line behind it doesn’t seem to tug hard enough or with enough pressure to pull the reader along. The reason is that their is not enough tension in the narrative line because the stakes while described at extremely high remain distant. It is not until the stakes became immediate that the pace of the story picks up  tremendous speed and excitement.
  • Fantastic Name Confusion: The story has very little in the way of fantastic animals or objects, but the characters names can become confusing (except for principal characters). With some many minor yet important characters, losing track of who’s who happens from time to time. Much frustration ensues.

Well that is all I have to say about Elantris. Overall a good first novel, a strong entry in the fantasy genre and if you can go past the somewhat slow beginning, a rewarding narrative overall.